THE ENTANGLEMENT OF ALL PEOPLE

 The rudimentary "Moda" as mentioned by Roland barthes seems to imply many constructs as to how "Moda" is approachable. Many things can also be said about the style and ornament of modern designs. Others could say otherwise but it's anyone's game on the interpretation, I believe my points will flourish. In the book of Roland "Moda" is a word that establishes a connection with previous times, and modern times. It also encapsulates the link between multiple concepts such as what is the rhythm in separate dimensional styles, what moral and/or sentimental, emotional and futuristic patterns could do in convergence with one another. In simple terms, it wants us to be captivated by what is being portrayed onto lookers no matter the culture. There is an interdimensional aspect of it that is attempting to be translucent, yet understandable. All things considered, the most common feature nowadays is not the "Moda" in my eyes but the style. What do

 Amazingly, there have not been too many issues with how one perceives a certain body of material. There have been multiple interpretations as to how one should stabilize it once presented with other objects but never really questioned on what substance to start it off with in terms of its aesthetic. Coordination and precision are obliged however, and that, is where I'm getting at. Coordination is a stepping stone for how something will be set in stone in accordance with something else, yet, internally, the constructs must also be considered. Take example cement columns, they need steel bars intertwined within in order to resist the environment and especially impacts caused by people. If not applied with such restricted rules, the material would collapse even before it gets fully built. We must place things in a certain pattern, whether it be symmetric or asymmetric. Another important trait to bring awareness to is the precision and aesthetic tone of what material will be used for

 It is important to consider the gap in things. Establishing an area for the commencement of any building or minimal is a feat all must consider before mining away at any creation. Due to the area many have had to twist the concept of articulating such designs as well and it is necessary to prevent the possibilities of losing it along with people's lives. Perception is utterly vital in such cases and it must be analyzed thoroughly before starting any sort of infrastructure. Why you may ask? Because it will allow us to follow suit more efficiently on what we decide to program into society. Take as reference the grid shell created from the Abu Dhabi's five star Yas Hotel. Due to the lack of time, they had to ethically connect all the columns at the same time as the inner hotel structure was being built with it finally finishing with the 10 legs at the very end, allowing it to be stable and balanced. In its entirety, there was equal planning on its aesthetic with the glass panels