THE ENTANGLEMENT OF ALL PEOPLE

Establishing a connection with aesthetic and efficiency has always been a very pleasing endeavor to many. As technology continues to advance so to do the designs. A good representation of this comes with the creation of the famous plywood chair created by Charles and Ray. The works of such individuals continue to evolve and illuminate the minds of new designers even to this day. One thing is certain however, and that is the need for aesthetic behind every new creation made by a architect. Not only is aesthetic required but it is actually needed in order to compete with the likes of other designers; further helping in exposing such creations to the public with more ease. Aesthetic can be soothing, relieving and even motivating to those who bestow themselves upon it. Given the circumstances, you could say it has a aura to it and you'd be right. Somewhat of a healing process among other things to say the least. A bonus that could be added to an already aesthetic piece is it's effi

 As infrastructures have continued to advance in more linear and dynamic ways, many still look to prioritize a specific design compared to simpler times. One such artist (if you could call him that) is Peter Zumthor who designed the thermal baths in a very peculiar yet stunning manner. It truly is mind boggling as to how some individuals manage such a build. One thing is undeniable however, and that is the stability needed to keep such structures afloat. For example, Georges Pompidou Centre, although it's appearance may look bleak and/or unstable, it is finely built in such a manner and area which allow it to survive most if not all natural threats that would otherwise cause cataclysmic damage. If a design cannot meet stability then it could very well lead to disastrous results and even casualties among individuals. It is crucial for the design of any structure to also pertain a certain meaning behind it's design without having to take away from it's purpose. The reasoning